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Entries from Cinecultist tagged with 'MoMA'
What To Do, What To Do?
Okay, so it's only Wednesday but Cinecultist is already thinking longingly of the weekend. There's something about being at mid-week that makes you itchy for a lazy Saturday at the movies, don'tcha think?
Manohla Dargis in today's NY Times reminds us that there are still some great choices coming up in the New Directors/New Films series at MoMA and Lincoln Center. [It runs through Sunday, Apr. 1.] CC joined in on drinks and general merriment at Josephina's this last Sunday night to celebrate the festival, so we'll feel extra guilty if we don't take in more of their excellent offerings.
Coming up this weekend, Cinecultist may also try to see a B Musical at Film Forum or an Edie Sedgwick movie at the Museum of the Moving Image. Singing and jazz hands or poor little It Girl—a tough choice, right?
Damn this recent gorgeous weather in New York. 70 degrees, woohoo! It makes it so difficult to focus on the real task at hand, ie. movie-watching, when all you really want to be doing is wandering around outside with an iced coffee in hand. Hopefully on Friday night it will be less lovely as CC has committed to spending three hours in doors for a sneak peak at the highly anticipated Richard Rodriguez/Quentin Tarantino double feature, Grindhouse at a neighborhood theater. Full opinions (namely if our annoyance at QT's pretensions still burns with the fires of a thousand suns) will be forthcoming, as soon as our butt regains some feeling from spending so long in a movie seat.
P.S. If you haven't checked out the movie's incredibly self-indulgent and unnecessarily complicated official website yet, please do. You can make things explode AND listen to the sound of faux old movie projectors. It's over-the-topness is both really admirable and yet frustrating. Sort of like how CC often feels about QT's movies, actually.
P.P.S. A happy birthday to the Cinecultist's sister, Laurie, today. We'll always be the Waldorf to your Statler. "It's good to be heckling, again. It's good to be doing anything again!"
Ken Loach, Can CC Adopt You?
Last night at the Museum of Modern Art, Cinecultist attended a special preview screening of Ken Loach's The Wind That Shakes the Barley, a new movie about the Irish "troubles" which won the Palm D'Or at Cannes this year. Loach was in the house to introduce the movie and answer questions following (as pictured with a MoMA staff member), as well as cast members Cillian Murphy, Padraic Delaney and Mairtin de Cogain. It was unassuming English and Irishmen all around, with one more self-effacing than the next. Loach in particular is totally adorable, like a sweet grandpa you want to take home for a cup of tea and then debate the history of Western philosophy.
One thing all four panelists were incredibly passionate about though was this project, which Loach described as coming together quite naturally. The struggles for Irish independence was a topic he and writer Paul Laverty had discussed for many years off and on before deciding to develop it into a screenplay about two fictional brothers caught up in the fighting. Each brother represents a point of view and as the conflicts get more heated, their impulses to do "the right thing" gets harder and harder in the face of the horrible circumstances.
Like in Loach's previous films that CC's enjoyed Bread and Roses and Sweet Sixteen, he does an amazing job of illiciting nuanced and naturalistic performances from his actors. Cillian Murphy has had good roles before, but he's particularly wonderful here as a young doctor compelled to fight for his country despite his gentle conscience. Also, CC was pleased to note that in person Murphy's modest personality doesn't contain any traces of his creepy characters from Batman Begins or Red Eye. Apparently, Cillian is a nice guy who's just a really good actor. Go fig.
The Wind That Shakes the Barley hits US theaters a week from Friday.