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Entries from Cinecultist tagged with 'film criticism'
So You Wanna Be a Film Critic
If you're looking to break into the film criticism racket, the second annual Moving Image Institute in Film Criticism and Feature Writing is now calling for entries to their five day program in April. "With sessions at the Museum and at production facilities and offices in Manhattan, members of the Institute will learn about the art and business of film from leading directors, editors, composers, screenwriters, publicists, and executives. Fellows will also have the opportunity to attend a weekly meeting between editors and writers of The New York Times." Sounds like geeky good fun, right? Cinecultist knows someone who attended last year and gave the program high marks.
They're looking for budding Pauline Kael's who've had at least one year of profession journalism experience. Send your home address and email; your employer’s name, address, and email; 350 words describing your experience as it relates to film criticism and/or arts writing; 350 words describing a likely/hoped for outcome of your participation in this institute; two published writing samples (These pieces need not be about film) and two professional references (including name, title, address, email, and telephone) to Film Institute, Museum of the Moving Image, 35 Avenue at 36 Street, Astoria, NY 11106. Email to: email@example.com. They'll pick 12 participants, so good luck!
In other professional development/mentoring news, Cinecultist volunteered to be a part of the "take a student to lunch" program at our alma mater, UC Davis. Two eager young Aggies should be contacting CC in the next few weeks for a chat, which should be interesting. (Though we'll be surprised if we can do the actual "lunch" part since the students will be living in California and we're in New York, but that didn't seem to stop UCD from putting our name in the pool.) We felt utterly clueless and lost when we graduated from college, so Cinecultist will be happy to pass along any words of encouragement and advice from the past 9 years that we can.
"Michael Moore is the Fox News of the Left."
Heh. The Gothamist commenters are having spirited fun regarding our post on Sicko today. The headline is a quote from one of the incendiary statements.
Here's a reprint of the review part of Cinecultist's post.
As for the quality of this new bit of agit-prop from the pudgy Michigander (which Gothamist caught last night at an advance press screening), it's a persuasive and disturbing two hours. Moore introduces us not only to a number of Americans screwed over by their lack of health care, but also interviews numerous health care industry employees disgusted by the business's practices. These stories from ordinary Americans are heart-wrenching, as is the footage Moore shot of very sick 9/11 volunteers finally getting the health care they desperately needed from the socialized medicine system in Cuba. Unfortunately like most Moore movies, the shocking state of America's relationship to its more disenfranchised residents is tempered by the ridiculousness of his on screen antics. Moore filming himself on a boat outside of Guantanamo Bay using a megaphone to try to get entrée into the holding center's medical facility is unnecessarily over the top, no matter how you feel about the issue of privatized heath care.
After the screening, CC walked out and took the subway with three of our esteemed friends/movie writing colleagues Nicolas Rapold (The Sun, Stop Smiling), Michael Joshua Rowin (L magazine) and Michael Koresky (Reverse Shot, Criterion Collection). (These dudes know about movies; they'd give CC a complex if we hadn't already survived the intellectual smack down of cinema studies grad school.) Rowin ranted, Koresky seemed bemused by the whole thing and Rapold looked positively ill. Cinecultist heartily looks forward to reading their fully formed opinions of the movie shortly.
You Say Good-bye, CC Says Bonjour
A day for sad news and happy news amongst movie periodical fans like the Cinecultist. Hachette Filipacchi Media is shuttering the print version of Premiere magazine after their upcoming April issue. They will be continuing to run things on the web though, according to the Los Angeles Times. Meanwhile on the other side of the pond, the legendary French film periodical Cahiers du Cinema is launching an English translated monthly e-version for those of us who like French opinions but can't read actual French. You can "flip" through an English version of part of the magazine now and the rest of the newest publication will be online as of March 9. [Flip version via GreenCine Daily.]
By the way, it's kind of a fun day for the Cinecultist when Reuters references André Bazin, but maybe that's just the cinema studies geek in us rearing its snarky head.
Question for the comments: Is the film criticism from Premiere still relevant (or was it ever)? Does the thought of a more accessible Cahiers sound exciting for the history buff only?