Cinecultist is quite pleased with ourselves -- we actually made it to a screening at the Tribeca Film Festival courtesy of our friend William. Granted, he had to call with free vouchers in hand Friday afternoon and tell us which screening we were going to attend (Friday night, 11:30 pm) but we made it to the Battery Park Regal Cinema none the less. Scheduling triumph! Standing in the springtime drizzle, CC surveyed the scene. Who knew there was an Applebee's, a giant DSW shoe store and this random bagel chain place deep in the Westside? Multiple lines divided by metal temporary fencing snaked around the cineplex segregating the viewers into ticket holders and ticket purchasers. Various staff people directed the flow of traffic, as queues of film fans were let into the theater for their show times. Movie theaters in Manhattan don't go out; they go up and up we went, escalator after escalator.
Tribeca is a pretty slick affair and the sheer number of films on their roster, from new releases like The Interpreter and 2046 (which we tried to get into the next night and at which the guy at the ticket booth nearly laughed right in our face) to more obscure docus and foreign fare, is pretty overwhelming. Everytime CC visited the website's handy schedule, we felt our eyes glazing over from the volume of possibility. So then ending up at Shutter, a Thai horror film about a photographer who sees ghosts in his snapshots, was a bit out of character for CC. However, there's something to be said for having no choice and/or letting someone else pick the movie for you, because you never know what might unspool on screen.
Like Ringu (or so we've seen from clips only -- we hear it's pretty scary), Shutter's ghost once we see her finally has lanky black hair and the tendency to crawl out of pools of water. The protagonist and his incredibly understanding girlfriend begin exploring the concept of "spirit pictures" after they have a I Know What You Did Last Summer-style car accident on the way home from a wedding. Is the girl they mowed down haunting his graduation snaps? Why would she do that? Why?
And in a slightly different vein, what's up with Asian cinema and revenge plots, particularly from rejected women? Are Asian women scorned actually just scarier, as the directors postulated in broken English during the post film Q&A? Like the girl sitting next to the screening's questioner who turned to ask her "are you?", we'd have like to give the elbow and glare to the directors for saying that but maybe there is this feeling, out there in the ether. Or perhaps it's just jerk-head filmmakers who dicked over their former flames who generally fear some otherworldly retribution. Cinecultist says to those romantic idiots with DV cameras, you're right karma still exists and if you've been an ass, you better start looking over your shoulder. Or under the bed and in that dark room of yours, as the case may be.
BTW: If you attended Tribeca and have some opinions about its organization please pass them along to our buddy Aaron, who has finally surfaced from those 14 plus hour days programming the sucker. Good job dude, we're proud of you! Hope we get the chance to remember what you look like sometime soon!Posted by karen at May 2, 2005 10:12 PM