You don't hate it, but you don't love it—thus is the difficult life of the film critic. Recently, Cinecultist wrote about The Science of Sleep and Flyboys for Radar and the Movie Binge, respectively. We couldn't rave about either one, though they both had elements that were of interest and were entertaining, in their own way.
This has been one of our big dilemmas lately, if you can even call our movie going problems such a hyperbolic term. When you see as many movies as the Cinecultist been watching in a given week, it takes a lot for any one flick to rise above the rabble. We're not complaining about having to sit through most of them, because mostly we love just sitting in a darkened theater, but should we really recommend this "just okay" movie to a person who doesn't want to see every single film that comes through town? Also, what to do about a movie like The Science of Sleep that is of note because it was made by Michel Gondry, and compelling to CC within a director's oeuvre, but a movie that's kind of odd just judged on its own? Some people will want to see it despite our misgivings, but we have to be guarded in our recommendation. After all, if you go nutso for every single movie that comes out, how will anyone know what your taste really is?Posted by karen at September 26, 2006 4:22 PM